Friday, January 18, 2008

Fine Art Friday

I've noticed that on Fridays many blogs participate in Poetry Friday. It's a wonderful opportunity for a person who really doesn't care for poetry like yours truly, to read some lovely poetry. But I am an art-lover and was happy to spot this new Friday theme on Exspectantes's Blog Fine Arts Friday. BTW, I owe my love of art, especially the Italian Art of the Early Renaissance, Renaissance and the Post-Impressionists to my art history professor, Dr. Karl Lunde. He made art-history come alive in his lectures.

The artist I select for today will be Sandro Botticelli, March 1, 1444/45 – May 17, 1510.

The Annunciation
The Annunciation


Nativity
The Birth of Jesus


Madonna and Child
Madonna and Child

and the very popular and well-known

Birth of Venus
Birth of Venus




7 comments:

  1. Thank you for sharing that beautiful artwork.

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  2. Glad you liked it Chris!

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  3. Gorgeous. A poet you may like a lot is Gerard Manley Hopkins (1844–89). Your art reminded me of this one:

    37. The Blessed Virgin compared to the Air we Breathe


    WILD air, world-mothering air,
    Nestling me everywhere,
    That each eyelash or hair
    Girdles; goes home betwixt
    The fleeciest, frailest-flixed 5
    Snowflake; that ’s fairly mixed
    With, riddles, and is rife
    In every least thing’s life;
    This needful, never spent,
    And nursing element; 10
    My more than meat and drink,
    My meal at every wink;
    This air, which, by life’s law,
    My lung must draw and draw
    Now but to breathe its praise, 15
    Minds me in many ways
    Of her who not only
    Gave God’s infinity
    Dwindled to infancy
    Welcome in womb and breast, 20
    Birth, milk, and all the rest
    But mothers each new grace
    That does now reach our race—
    Mary Immaculate,
    Merely a woman, yet 25
    Whose presence, power is
    Great as no goddess’s
    Was deemèd, dreamèd; who
    This one work has to do—
    Let all God’s glory through, 30
    God’s glory which would go
    Through her and from her flow
    Off, and no way but so.

    I say that we are wound
    With mercy round and round 35
    As if with air: the same
    Is Mary, more by name.
    She, wild web, wondrous robe,
    Mantles the guilty globe,
    Since God has let dispense 40
    Her prayers his providence:
    Nay, more than almoner,
    The sweet alms’ self is her
    And men are meant to share
    Her life as life does air. 45
    If I have understood,
    She holds high motherhood
    Towards all our ghostly good
    And plays in grace her part
    About man’s beating heart, 50
    Laying, like air’s fine flood,
    The deathdance in his blood;
    Yet no part but what will
    Be Christ our Saviour still.
    Of her flesh he took flesh: 55
    He does take fresh and fresh,
    Though much the mystery how,
    Not flesh but spirit now
    And makes, O marvellous!
    New Nazareths in us, 60
    Where she shall yet conceive
    Him, morning, noon, and eve;
    New Bethlems, and he born
    There, evening, noon, and morn—
    Bethlem or Nazareth, 65
    Men here may draw like breath
    More Christ and baffle death;
    Who, born so, comes to be
    New self and nobler me
    In each one and each one 70
    More makes, when all is done,
    Both God’s and Mary’s Son.
    Again, look overhead
    How air is azurèd;
    O how! nay do but stand 75
    Where you can lift your hand
    Skywards: rich, rich it laps
    Round the four fingergaps.
    Yet such a sapphire-shot,
    Charged, steepèd sky will not 80
    Stain light. Yea, mark you this:
    It does no prejudice.
    The glass-blue days are those
    When every colour glows,
    Each shape and shadow shows. 85
    Blue be it: this blue heaven
    The seven or seven times seven
    Hued sunbeam will transmit
    Perfect, not alter it.
    Or if there does some soft, 90
    On things aloof, aloft,
    Bloom breathe, that one breath more
    Earth is the fairer for.
    Whereas did air not make
    This bath of blue and slake 95
    His fire, the sun would shake,
    A blear and blinding ball
    With blackness bound, and all
    The thick stars round him roll
    Flashing like flecks of coal, 100
    Quartz-fret, or sparks of salt,
    In grimy vasty vault.
    So God was god of old:
    A mother came to mould
    Those limbs like ours which are 105
    What must make our daystar
    Much dearer to mankind;
    Whose glory bare would blind
    Or less would win man’s mind.
    Through her we may see him 110
    Made sweeter, not made dim,
    And her hand leaves his light
    Sifted to suit our sight.
    Be thou then, O thou dear
    Mother, my atmosphere; 115
    My happier world, wherein
    To wend and meet no sin;
    Above me, round me lie
    Fronting my froward eye
    With sweet and scarless sky; 120
    Stir in my ears, speak there
    Of God’s love, O live air,
    Of patience, penance, prayer:
    World-mothering air, air wild,
    Wound with thee, in thee isled, 125
    Fold home, fast fold thy child.

    http://www.bartleby.com/122/37.html

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  4. Thank you Mimi! I just briefly scanned it and it looks like something I will like.

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  5. Nice. I've had an art history course, and a visual arts course. But a lot of fun and something I really enjoyed. It's too bad a lot of times this aspect of education gets ignored while a trying "teach to the test" mentality too often exists in the school systems. [Both public AND private, I might add.]

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  6. Anonymous6:33 AM

    Esther,

    Thank you for Fine Art Friday, it was just wanted I needed to see. Where do you find your pictures to post?
    Kathy

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  7. So true Karen. My art professor made us love it!

    Kathy, I emailed you privately.

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